huge pothos plant Full Size Jade Pothos Pole
SKU: 82886671078
huge pothos plant

huge pothos plant Full Size Jade Pothos Pole

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Description

huge pothos plant Full Size Jade Pothos PoleDescription Create the vertical garden statement youve been dreaming of with a Pothos on a pole. This beautiful Epipremnum aureum with graceful heart shaped leaves naturally wants to climb, and weve set it up for success. When your Pothos grows up a pole, something magical happens those gorgeous green leaves get bigger and more dramatic as they reach for the light. We love watching our plant parents discover how much personality their climbing Pothos

Description

Create the vertical garden statement you’ve been dreaming of with a Pothos on a pole. This beautiful Epipremnum aureum with graceful heart-shaped leaves naturally wants to climb, and we’ve set it up for success.

When your Pothos grows up a pole, something magical happens - those gorgeous green leaves get bigger and more dramatic as they reach for the light. We love watching our plant parents discover how much personality their climbing Pothos develops compared to trailing varieties. This Pothos on a pole brings that lush jungle feeling into your home while being wonderfully forgiving about your care routine, making it perfect for anyone wanting to add some living architecture to their space.


Care 

Can Pothos grow on a pole?

Your Pothos growing on a pole flourishes with bright indirect light, watering when soil feels dry, and regular misting. Then there’s just monthly fertilizing during growing season and gentle support as it climbs.


Can you add a pole without repotting?

Your Pothos naturally climbs in its native Southeast Asian habitat, using aerial roots to scale tree trunks toward sunlight. A pole gives your plant this natural climbing opportunity, allowing your Epipremnum aureum to express its true growth personality.


Do Pothos like lots of sun?

Your Pothos prefers bright, indirect sunlight rather than intense direct rays that might scorch those beautiful heart-shaped leaves. Think of a cozy spot with filtered light through a window where your plant feels comfortable and completely protected.


What makes Pothos grow faster?

Bright indirect light, consistent watering, monthly feeding during spring and summer, and regular misting create the perfect environment for your Pothos. The climbing support actually encourages faster, healthier growth compared to trailing varieties, giving your plant its most natural lifestyle.


Where is the best place to put a Pothos on a pole indoors?

The perfect spot for your Pothos on a pole is near a window with gentle, filtered light, well away from drafts and direct sun. Choose a corner where this beauty has room to grow tall without crowding other plants.

Consider using your climbing Pothos as a natural room divider that adds privacy while bringing life to your space - it's wonderful how these plants can serve both decorative and practical purposes in your home.


Do Pothos like to be misted?

Your Pothos absolutely loves being misted. It helps maintain the humidity levels that remind your plant of its tropical homeland, resulting in more vibrant foliage and enthusiastic climbing behavior that you'll love watching develop.


How to make my Pothos thrive?

Give your Pothos bright indirect light, water when the top inch of soil is dry, mist regularly, fertilize monthly during growing season, and prune any leggy stems. Good drainage and protection from cold drafts complete our recipe for successful care.

Don't forget to rotate your plant occasionally so all sides get equal light exposure, and gently guide new vines onto the pole as it grows - a little direction helps it reach its full potential with proper Pothos plant care.


How often should you water a Pothos growing on a pole?

Water your Pothos when the top inch of soil feels dry, typically every one to two weeks depending on your home's light and humidity. Trust your finger (or hygrometer), not the calendar!


Pet-friendly?

The Pothos plant isn't pet-friendly - it contains compounds that can cause problems if curious animals decide to take a nibble. It can cause oral irritation, vomiting, and difficulty swallowing in pets who taste those tempting leaves.


Are Pothos toxic to dogs?

Pothos is toxic to dogs and can cause drooling, vomiting, and digestive upset if they decide to sample those attractive leaves. We recommend keeping your climbing beauty positioned safely out of reach of curious canines who might be tempted.


Are Pothos toxic to cats?

Pothos is toxic to cats, causing the same unpleasant symptoms as in dogs if your feline friend takes a taste. Keep it somewhere high enough that even the most determined cat acrobat can't reach those gorgeous but dangerous leaves.


Factoids

How do you train a Pothos plant to climb?

Training your Pothos plant to climb involves gently wrapping or tying the vines to your pole using soft ties or small clips. As new growth appears, continue guiding those wandering vines onto the support structure for the best results.

Be patient with your plant - it'll learn to love climbing and start doing most of the work itself once it discovers how much it enjoys the vertical lifestyle.


What is the lifespan of a Pothos plant?

With proper care and attention, your Pothos plant typically lives five to ten years indoors, though some continue thriving for decades. These resilient beauties can live a long time in ideal conditions, making them wonderful lifetime plant companions for your home.


Do Pothos like coffee grounds?

Your Pothos can benefit from coffee grounds in moderation, as they provide nitrogen and improve soil structure. We recommend using them sparingly and only on well-established plants, since too many coffee grounds can make soil acidic and potentially harmful.


Is it better for Pothos to hang or climb?

While your Pothos can both hang and climb beautifully, climbing encourages larger leaves and more vigorous growth overall. In nature, these plants are natural climbers, so a Pothos a pole is truly living its most authentic, healthy life.


Buy a Pothos 

Your home deserves a Pothos (growing on a pole) that brings that graceful vertical beauty you've been dreaming of adding to your space. This elegant climbing companion creates stunning living architecture while being wonderfully understanding of your busy schedule and care routine.

Our personalized video shopping calls let you meet and select your perfect Pothos before it comes home with you. No guessing here - you'll see your new green companion face-to-face (virtually) and know exactly what beautiful specimen is heading your way. Then we’ll ship it with care, so your climbing friend arrives looking just as gorgeous as when you first fell in love.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 82886671078

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Matthew
Los Angeles, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
Alexandria, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
A
Verified Purchase
AMD
Charlottesville, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Omaha, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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Verified Purchase
Matt M
Natrona Heights, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012

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